CopyrightAll photographs and text appearing in the Alissa Everett Photography site are the exclusive intellectual property of Alissa Everett and are protected under United States and international copyright laws. The intellectual property MAY NOT BE DOWNLOADED except by normal viewing process of the browser. The intellectual property may not be copied to another computer, transmitted, published, reproduced, stored, manipulated, projected, or altered in any way, including without limitation any digitization or synthesizing of the images, alone or with any other material, by use of computer or other electronic means or any other method or means now or hereafter known, without the written permission of Alissa Everett and payment of a fee or arrangement thereof. No images are within Public Domain. Use of any image as the basis for another photographic concept or illustration is a violation of copyright. Alissa Everett Photography vigorously protects copyright interests. To secure reproduction rights to any images by email send to email@example.com.
Tag Archives: goma
A thundering crack shakes me out of my bed. The black sky flashes with light, a rumble and another crack, so loud, my heart races. A cool breeze rushes in, the metal door frames and single paned glass designed for hotter climes. I curl up in my mosquito net, under my single blanket wishing for warmer clothes listening to the rain pounding down and waves splash on the shores of Lake Kivu.
I’m trying to sleep, but jet lag has the best of me and I watch the storm through the night.
Tomorrow is International Women’s Day and I am invited to march with the women of HEAL Africa. After will be my first screening of Pray the Devil Back to Hell to the female HEAL staff. I’m honored and inspired to be showing it on their day of celebration.
2pm on a Saturday afternoon in Goma. Sitting at the Hotel Nyira with one of the city’s most reliable internet connection and a decent cappuccino listening to Barbara Streisand. The rain and the generator simultaneously begin. Rain drops pelting on the leaves of my luscious surroundings, a low hum of a motor, a lone chirping bird and occasional roar of a UN plane flying overhead.
I’m on a short break between meetings. The days are busy, hardly a spare moment to breathe, let alone write. Phone calls, meetings, women leaders, international NGOs, journalists, activists, MONUC (the highly debated UN peacekeeping force in Eastern Congo), the momentum grows.
On the surface, screening a film in Eastern DRC is logistically challenging, but relatively straightforward and innocent. This film, however, is the uplifting and inspirational story of a broad-based civil movement. If it has the impact I think it might, it could provide the catalyst for one here.
The timing is good. Women in the Eastern region of the Democratic Republic are tired. After 15 years of civil war, over 6 million dead and hundreds of thousands of women raped. They are tired. Tired of the rape, abuse, torture, murder. Tired of being unable to provide food for their children. Tired of the violence. Tired of the war. And ready for change.
I apologize in advance for the delayed uploading of these posts… between meetings, travel, exhaustion and incredibly slow internet connections I didn’t keep up. Here are a few images and some words… let me know your thoughts.
Life in the DRC
The border crossing is easier this time. The bureaucrat behind the wooden desk smiling and friendly as he examines my papers – last time he almost sent me back to Rwanda. The sun shines good luck on me, 8 days visa for only $35. This too changes with our bureaucrat’s mood.
And I cross. Congo beams as strongly as the African sun: a guard with dapper, checkered loafers, women in bright colors, exuberant “bonjour and jambos,” potholed roads, thick with volcanic rock, motos honking, white LandRovers in traffic, dust, chaos, the Democratic Republic of Congo. The country is not polished, it is not controlled, it is lawless in many senses, rife with heinous criminal acts and civil war; yet the Congo is alive. It is a living, breathing being that refuses to submit, refuses to be destroyed and is determined to survive. And for this I have returned to the Congo.
I have returned to bring a film. Abby Disney’s brilliant film, Pray the Devil Back to Hell, about the Liberian civil war. In 112 minutes, she tells of unknown heros. Of common women who are fed up with a civil war, with the rape, the murder, and the chaos. Fed up enough to act. They demonstrate. For four years, they demonstrate, growing in size, power and influence, they demand audience with warlords and with the former president himself and demand peace talks which lead to democratically held elections and the first female president in Africa.
The story inspired me, it created possibility. And I knew it would create possibility in the women of the Congo as well.